Debate entitled – “The value of copyright in the 21st Century. Should it be free for all… really?”
(Update 28/3/08 – video - official video from CISAC)
All my postings on The Copyright Summit
June 5, 2007
Debate entitled – “The value of copyright in the 21st Century. Should it be free for all… really?”
(Update 28/3/08 – video - official video from CISAC)
All my postings on The Copyright Summit
June 1, 2007
The problem the content and rights owners have is they can’t get the physical cash out of the under 25 market.
They had big stores where you went in and bought a physical product and handed over your physical money.
People go on about the under 25 market being time rich but cash poor – rubbish. They were never that cash poor when they were buying CDs by the truck load. The problem is they’ve migrated their habits to online downloading and there is no way that the content and rights owners have figured out how to get their physical cash digitally.
The answer is blindingly obvious. All they have to do is put two different things that was said together and they are back in business.
The first thing said, by Mark Selby of Nokia on day one, was how ubiquitous the mobile phone had become.
The second thing said, by Nikesh Arora of Google on day two, was how storage was ever increasing with no linear cost increase which he stated was “Kryder’s Law” (which is a bit dubious).
To take both of these things together – everybody has a mobile phone and storage is getting close to free.
Now all everybody seems to want to do is to put stuff on people’s mobile phones – but this is the wrong way round. What you can do is to offer free storage of their digital content, accessible anywhere, by any device and let them use their digital money (which is what a mobile phone is) to pay for it.
Everybody wins!
All my postings on The Copyright Summit
May 31, 2007
The final stretch…
There is a viewpoint delivered by:
Rudolf Strohmeier, Head of Cabinet of Commissioner Viviane Reding for Information Society and Media, European Commission
who proceeds to speak on Online Content in the Information Society. Not a lot to say about his other than everybody’s back from lunch and not really up to speed yet. (Update 28/3/08 - official video from CISAC)
Next up is a panel on – How can technology improve rights management? – with:
Patrick Attalah, Managing Director, ISAN International Agency (Switzerland)
Del R. Bryant, President & CEO, BMI (USA)
Rich Lappenbusch, Director Entertainment and Devices Division, Microsoft (USA)
FX Nuttall, Technology Intelligence Senior Consultant, CISAC
Hervé Soursou, Director of Business Development, Mach (Denmark)
Gerd Leonhard, Music & Media Futurist and Author of “The end of Control” (Germany) – Moderator
Gerd kicks it off and promises lots of interaction and to keep the intro bits, which has taken up most of the time in the other panels, to a minimum. Slight cheer from the crowd. There is very little interaction and the intros take up most of the time. Very disappointing. I thought this may be one of the more interesting panels and it’s a huge damp squib. Everybody is avoiding the dreaded DRM acronym like the plague. Serious lack of energy in the panel themselves. The only person who acquits himself is Del Bryant, from BMI, who actually does a good job of making the case for the BMI being a forward looking and progressive organisation. This is the only thing I got out of this panel. Disappointed. (Update 28/3/08 - official video from CISAC)
There is supposed to be a debate but they slip in a quick Q&A with:
Alfonso Cuarón, Mexican film Director,
who comes across very well. Admits to being new to the whole technology world but likes what it offers him. Says his first question he asks when someone says they’ve seen a pirate version of his film is “How was the quality?” (which generally turns out to be poor). Goes on to say he’s pretty sure he’ll be less than impressed with the pirating thing if the cheques stop coming. Has raised $100 million to do 5 films with a collective of directors. Says the studio system is doomed. Like this guy – he’s got an opinion. (Update 28/3/08 - official video from CISAC)
Next the debate. Can creators and technology/service providers find a common ground? – with:
Benjamin Bejbaum, Co-founder & CEO, DailyMotion (France)
Alex Callier, Songwriter/Bass player and producer, Hooverphonic (Belgium)
Henk Hofstede, Singer/Songwriter, The Nits (Netherlands)
Bendik Hofseth, Composer, Saxophonist and Singer (Norway)
Yves Bigot, Programme Director, RTBF (Belgium) – Moderator
There was also a speaker from a new start up/ex-Siemens there as well and I missed his name. This was another damp squib. I was really looking to hear what Benjamin Bejbaum had to say but he didn’t get much of a chance to speak. The only thing to say about this was I made a point at the end for the artists on the stage to go to boingboing.net and see how fellow artists were filtering the Internet for the best/weirdest/most artisitc things they could find/get sent. (Update 28/3/08 - official video from CISAC)
After that there was a viewpoint by:
Robin Gibb, Singer/Songwriter member of the Bee Gees UK
entitled Are Creators’ Works like Any Other Goods? which basically made the case that artists should be wrapped in cotton wool by their masters and left to get on with the creative process. Fair enough. (Update 28/3/08 - official video from CISAC)
And then it’s wrap up time with:
Jens-Peter Bonde, Member of the European Parliament (Denmark) (Update 28/3/08 - official video from CISAC)
Víctor Hugo Rascón Banda, Playwright and Author, Vice President of CISAC and Chairman/Director General of SOGEM (Mexico) (Update 28/3/08 - official video from CISAC)
At this stage all I want to do is head for the Eurostar but to be fair to Jens-Peter Bonde he makes a pretty impassioned speech to maintain collective societies and to fight the internal market mandarins in Brussels. Still it’s home time – and the room is more than half empty – so it doesn’t get the listen it deserves.
Anyway, that’s it. I’m off.
All my postings on The Copyright Summit
May 30, 2007
The general focus so far is from the perspective of the collection societies.
Two panel discussions and a debate this afternoon.
The first panel discussion – IP & Copyright – Can Rights Owners Get Some R.E.S.P.E.C.T? – consisted of:
Michael Keplinger, Deputy Director General, World Intellectual Property Organisation WIPO (Switzerland)
Cornelia Kutterer, Senior Legal Advisor, European Consumers’ Organisation BEUC (Belgium)
John LoFrumento, Chief Executive Officer, ASCAP (USA)
Manuel Medina Ortega, Member of the European Parliament (Spain)
Nicholas Motsatse, Chief Executive Officer, SAMRO (South Africa)
Emma Pike, Chief Executive, British Music Rights (UK)
Ted Shapiro, Deputy Managing Director, VP & General Counsel, Europe, Motion Picture Association (Belgium)
Leo Cendrowicz, Journalist & Correspondent, TIME magazine / The Hollywood Reporter / Billboard (Belgium) – Moderator
Each was given about 10 minutes to state their view, which meant that there was no time for them to elaborate on any points or to get into a detailed discussion. That was a shame as there was some very interesting people on the panel and it would have been interesting to have their views fleshed out.
The common message seemed to be to – “Educate! Educate! Educate!”. There was recognition that suing the people who buy your goods may not be the smartest move in the long run and that the way forward was to educate people on copyright. (Update 28/3/08 - official video from CISAC)
Next. The debate. This was titled – The value of copyright in the 21st Century. Should it be free for all… really? – between:
Brett Cottle, Chair of CISAC’s Board of Directors and CEO, APRA (Australia)
Prof. Lawrence Lessig, Author of “Free Culture” and Founder of Creative Commons (USA)
with Emmanuel Legrand, Independent journalist (UK) as moderator
World. War. III.
The collection societies do not like Lawrence Lessig. They seem to think that he wants to undermine copyright.
He states he doesn’t and what he wants is to allow people to move between the commercial and non-commercial world.
Much murmurs of discontent and a general feeling that the baddie is Lawrence Lessig.
I must be from a different planet – because what Creative Commons has done is make people think about rights – and here’s a room full of people getting seriously annoyed with this guy who makes people think about rights after they have spent most of the day bemoaning the fact that no one thinks of the rights of the artist anymore!
Now, the fact that they may disagree with how he has implemented his rights model may be pertinent – but to be so openly hostile to someone who is actually on their side is mind-blowing. This guy is giving them a signpost for the future – they may not like the colour of it or the direction it’s pointing but hey it’s not a bad starting point. (Update 28/3/08 - official video from CISAC)
The alternative is what? There is no alternative that they propose – as becomes apparent in the next panel discussion.
This was entitled – Author’s societies – building a new model! – and contained:
Roger Faxon, Chairman & CEO, EMI Music Publishing (UK)
David Ferguson, Spokesperson of the European Composer and Songwriter Alliance ECSA and Acting President of the British Academy of Composers and Authors BACS (UK)
Kjell-Åke Hamrén, Chairman, Swedish Music Publishers Association (Sweden)
Harald Heker, Chief Executive Officer, GEMA (Germany)
Peter Jenner, Chair, International Music Managers Forum IMMF (UK)
Michel Lambot, Co-Chairman, Play it Again Sam PIAS (Belgium)
Bernard Miyet, Chairman of the Management Board, SACEM (France)
Heijo Ruijsenaars, Legal Advisor, European Broadcasting Union EBU
Philippe Kern, Managing Director, KEA European Affairs (Belgium) – Moderator
This was a very interesting and knowledgeable discussion that went nowhere! The only saving grace was Peter Jenner being passionate about wanting change and wishing to lock all the competing factions in a room and not let them out until they spoke as one voice. Which by the end of this discussion had my full support!
A lot of the pressures and issues that affect the various players were aired here and there was some real desire for some forward momentum to be taken with respect to rights – but it always seemed to end in some well rehearsed, dead-end conundrum. I asked a question at the end – “Is there something on the horizon that, if I start up an Internet company tomorrow, will help me with online rights or should I go the much more profitable YouTube/MySpace route and just do copyright infringement?” – to which the resounding answer was – Nope! Nothing on the horizon. (Update 28/3/08 - official video from CISAC)
So, copyright infringement will continue.
All my postings on The Copyright Summit
May 30, 2007
A lot of people with a lot of questions about how the new digital age and copyright can co-exist.
Main speakers so far:
Ben Verwaayen, BT Chief Executive – Change is coming for the Rights bodies. Embrace it and develop new business models. The challenge isn’t technological but creative. (Update 28/3/08 – video - official video from CISAC)
Charles Aznavour, Singer, Songwriter and Actor - Creators must get paid. Multinational media conglomorates are looking to disrupt and dismantle the Rights bodies to break the creators bargaining power. (Update 28/3/08 - official video from CISAC)
There was also two panel discussions.
The first – I’ve Seen The Future – had:
Susannah Cope, Senior Legal Counsel, MTV Networks International (UK)
Sylvie Forbin, Vice President, Public & European Affairs, Vivendi (France)
Steve Gordon, Lawyer and Author of “The Future of The Music Business” (USA)
André LeBel, CEO, SOCAN (Canada)
Pascal Rogard, Director General, SACD (France)
Mark Selby, Vice President Sales & Multimedia, Nokia (UK)
Lisbeth Kirk, Editor, EUobserver.com (Belgium) – Moderator
There was very little about what the future will be and a lot of what the past was. The only bright moment was Mark Selby catagorically spelling out that DRM was not the solution. (Update 28/3/08 – video - official video from CISAC)
The second – A new world for creativity? – had:
Glen Ballard, Producer/Songwriter and Arranger (USA)
Billy Bragg, Singer/Songwriter (UK)
José María Cano, Singer/Songwriter (Spain)
Mercedes Echerer, Actress, Former MEP and Director of EU XXL Film (Austria)
Agnes Jaoui, Screenwriter, Film Director Actress and Singer (France)
Vittorio Storaro, Director of Photography (Italy)
Keith Harris, Director of Performer Affairs, PPL (UK) – Moderator
The general feeling was that creators livelihoods were being threatened by this digital age but that the tools being made available to artists were also liberating. Billy Bragg was unique in his open embrace of the opportunities and possibilities being afforded him as an artist to directly connect with his audience and was enthusing on the boom in live music, which he put down to people sharing music and wanting to see the artist live. (Update 28/3/08 - official video from CISAC)
So far, a lot of people with a lot of questions and a desire to get the Telecos, Multimedia companies, the public, the government, etc. to help them. It also seems people want a technological/legislative silver bullet to make the genie go back in the bottle.
All my postings on The Copyright Summit
May 9, 2007
Looks like I’m off to the Copyright Summit in Brussels at the end of this month.
Anyone else attending make sure to drop me a line so we can meet up!
All my postings on The Copyright Summit